Distribution

Réalisation

Production

Scénarisation

studios

  • Marc Platt Productions
  • Universal Pictures

distributeur

  • Universal Pictures

Bandes-annonces & Images

Revues de presse

Médiafilm

Très bon
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Adaptation fidèle du premier acte du populaire spectacle de Broadway. Numéros musicaux bien intégrés au récit. Réalisation leste et flamboyante. Excellent duo d'actrices.

Louis-Paul Rioux Lire la critique complète

Joblo.com

Très bon
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While it's certainly designed with fans of the Broadway play in mind, Wicked goes down pretty easy for non-fans as well.

Chris Bumbray Lire la critique complète

Cinema Blend

Parfait
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I'm so happy, I could melt!

Riley Utley Lire la critique complète

Journal de Montréal

Très bon
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Cynthia Erivo et Ariana Grande crèvent l'écran, les décors, costumes et maquillages sont époustouflants. Mais qu'est-ce que c'est long tout ça! 

Isabelle Hontebeyrie Lire la critique complète

Variety

Extraordinaire
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Instead of feeling bloated, Wicked has found its ideal form, where every frame comes crammed with the kind of detail that could easily have been distracting, had a lesser talent than Cynthia Erivo been asked to carry it.

Peter Debruge Lire la critique complète

Entertainment Weekly

Très bon
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For now, like Denis Villeneuve's first Dune, this Wicked manages to end on a note of "to be continued" while still feeling like a complete story. If only its imagery had a little more magic!

Christian Holub Lire la critique complète

The Wrap

Excellent
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The story's playful, subversive reinterpretation of 'The Wizard of Oz' as a work of propaganda, designed to obfuscate the true story of how political dissidents and minority groups are demonized by fascist con artists who trade in theatricality instead of competence, is fully developed and still (to our collective dismay) incredibly salient.

William Bibbiani Lire la critique complète

The Hollywood Reporter

Extraordinaire
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Grande and Erivo give Stephen Schwartz's songs -- comedy numbers, introspective ballads, power anthems -- effortless spontaneity. They help us buy into the intrinsic musical conceit that these characters are bursting into song to express feelings too large for spoken words, not just mouthing lyrics and trilling melodies that someone spent weeks cleaning up in a studio.

David Rooney Lire la critique complète