Distribution

Réalisation

Production

studios

  • Walt Disney Pictures
  • Lin Pictures
  • Marc Platt Productions

distributeur

  • Walt Disney Pictures Canada

Bandes-annonces & Images

Revues de presse

Médiafilm

Pauvre
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Ce remake en prise de vues réelles d'un classique animé photocopie fidèlement l'original, sans magie ni inspiration additionnelles. 

Georges Privet Lire la critique complète

La Presse

Bon
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À l'arrivée, Aladdin constitue un divertissement à l'ancienne, correctement fait. Le souvenir du dessin animé se révèle toutefois encombrant.

Marc-André Lussier Lire la critique complète

Joblo.com

Bon
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As such, this live-action ALADDIN is inconsistent.

Chris Bumbray Lire la critique complète

Variety

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Will Smith steps into Robin Williams' shoes, bringing fresh attitude to the role of the Genie in Guy Ritchie's high-risk, mostly rewarding live-action remake.

Peter Debruge Lire la critique complète

Rolling Stone

Très bon
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Guy Ritchie's family-friendly, CG-enhanced live-action version of Disney's animated hit surprises in all the right ways.

Peter Travers Lire la critique complète

The Hollywood Reporter

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The climactic showdown between the heroes and villains also feels overblown, more appropriate for a Marvel movie than a lighthearted Disney.

Frank Scheck Lire la critique complète

Volture

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What principally connects Aladdin's hero and heroine is their large and very white teeth.

David Edelstein Lire la critique complète

Rogerebert.com

Pauvre
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'Aladdin" is no more realistic, ultimately, than "Star Wars -- Episode I: The Phantom Menace," which came out 20 years earlier and has comparably sketchy computer imagery. 

Matt Zoller Seitz Lire la critique complète

The Wrap

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Seemingly set in a sanitized corner of Adventureland, the real fantasy offered here is getting to be in Will Smith's entourage.

William Bibbiani Lire la critique complète

Cinema Blend

Acceptable
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The new Aladdin does have a fun energy and charm - not to mention one of the best soundtracks of any Disney musical ever - but all of those positives are simply borrowed, and there is a very real and notable limit to its creative energy.

Eric Eisenberg Lire la critique complète